THE WAY ...
The way of the mystic, the way of the seer, the way of the sage, the way of the philosopher, the way of the seeker, the way of the artist, the way of the builder, the way of the visionary, the way of the poet, simply THE WAY. Be it known.
An encounter may come to be known as an agony, a pain, a trauma, a shackle upon spirit, that shadows the expression of self, that one is to free.
"Everyone should consider his body as a priceless gift from one whom he loves above all, a marvelous work of art, of indescribable beauty, and mystery beyond human conception, and so delicate that a word, a breath, a look, nay, a thought may injure it.”
~Nikola Tesla
If one studies the body, the responses of every bone, every muscle, ever tendon, its expressive tension, as did Jean Baptiste Carpeaux, French sculptor one would come to marvel at the body's calling TRUTH...
Know I, beyond Fear there is FAITH, beyond Doubt there is DELIVERANCE, beyond Trepidation there is TRUST, beyond Dismay there is DIVINITY…
PAIN to this poet is the body beckoning for Peace, for Ascension, for the I AM, for Nurturance ... a validation, an understanding, a support, an awareness, a knowing, a liberation, a resolve.
Man in freedom so born is he
Yet shackled he sets himself to be
Oppression dark upon heart yet be lain
The echoes of emotion still held profane
The mind to silence daunting echoes of time past
And free the self from binding chains cast
Memory called to free mind, heart and soul
Alchemy to ring its welcomed toll.
Rose Marie Raccioppi
APOGEE Paradigm™
Poet Laureate
Orangetown, New York
Image: Ugolino and His Sons, ca.1857-1861, Saint-Béat marble 1865-1867, Jean Baptiste Carpeaux, French sculptor, 1827-1875, Metropolitan Museum of Art.
YES, BE it Known, the marvel, the supernal intelligence, the cultivation of form, structure, function, the manifest of AGAPE LOVE ...
Here a commentary in response to the posed question: "What is the meaning and significance of this reflective writing and the sculpture in presentation? "
Copilot:
"Reflective writing is a personal exploration of experiences, analyzing thoughts, and learnings to gain insights. It goes beyond mere description of events or tasks. Instead, it involves looking back on these experiences, analyzing them, and learning from them.
Reflective writing encourages critical thinking about actions, decisions, emotions, and responses. By reflecting on experiences, individuals can identify areas for improvement, make connections between theory and practice, and enhance personal and professional development1.
The sculpture you mentioned, “Ugolino and His Sons,” created by Jean Baptiste Carpeaux, is a remarkable example of this art form. Carpeaux’s work captures the tension, emotion, and expressive qualities of the human body.
The marble sculpture portrays the tragic story of Ugolino della Gherardesca, a nobleman who was imprisoned with his sons and left to starve. The agonizing struggle and suffering are palpable in the intricate details of the figures. The way Carpeaux shaped the marble conveys both physical and emotional intensity, inviting viewers to contemplate the layers of meaning embedded within the work. It’s a testament to the power of sculpture to evoke profound emotions and provoke thought.
In summary, both reflective writing and sculpture offer ways to explore and express human experiences, whether through words or three-dimensional forms. They allow us to delve deeper into our thoughts, emotions, and the complexities of existence, ultimately enriching our understanding of ourselves and the world around us.
The intertwining of reflective writing and sculpture creates a powerful synergy, inviting us to reflect on life’s mysteries and marvels, just as you’ve beautifully expressed in your poetic lines."
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