Showing posts with label Matthew Cameron. Show all posts
Showing posts with label Matthew Cameron. Show all posts

Sunday, October 18, 2009

Frederic Francois Chopin

Frederic Francois Chopin

March 1, 1810 – October 17, 1849

En Mememoriam
160 Years


Within his fingers the structure, the melody cast divine
Spontaneous, miraculous, with perseverance sublime
In solitude, weeping, pacing, he held to the music’s plea
Within his inner chambers conceived he the music to be
Variant, fluid, reverie, revelation’s quest
And we the benefactors of his behest
The sounding outcry of a tormented heart be found
In Chopin’s Scherzo, Etude, resolve expressively profound
Passion, devotion, unrequited love, of sorrow, joy, he to tell
And these the Preludes, Ballades, Mazurkas, we know so very well
The embrace of sensibilities and the sounding of creation’s call
Chopin, his Presence, his music, this moment, in celebration all.

Rose Marie Raccioppi
Poet Laureate
Soiree Society of the Arts


Carnegie Room Concerts
Piano Performance Extraordinaire
by
Matthew Cameron

October 17, 2009

Frederic Chopin

Barcarolle, Opus 60
Waltz in F minor, Opus 70
Ballade No. 4 in F minor, Opus 52
Scherzo No 2 in B-flat minor, Opus 31
Etude in A-flat major, Opus 25 No. 1
Etude in F minor, Opus 25 No. 2
Etude in E-flat minor, Opus 20 No.6
Etude in E-flat major, Opus 10 No. 11
Etude in C minor, Opus 10 No. 12
Nocturne in C minor, Op 48
Polonaise in A-flat, Op 53


Every fiber of self was felt during your extraordinary performance last evening.
The self was transported to the folds of the universe.
Your hands, the purveyor of beauty.


In loving friendship.

Rose Marie


"Matthew Cameron has, in the words of music writer Michel Le Naour, distinguished himself as a figure of "profound musical consciousness", and as one of the major pianistic talents of his generation. His playing has been called "passionate and poetic" and "masterful" by critics, and Cyprien Katsaris lauded his transcriptions and compositions for piano as "works of genius."

Do visit Matthew at:
http://www.pianistmatthewcameron.com/about.html



Portrait of Frederic Chopin, Oil on canvas, 1838, Eugene Delacroix, 1798-1863, Paris, Musee de Louvre



Special Announcement:
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ENJOY

Saturday, May 16, 2009

The Battle of the Huns


Sword to sword Soul to soul

Spirit and life to bear the toll
Revenge, regret and warring heart
From God's grace do they depart
Spirit hovers in the dark shadow of despair
Vacant of God's grace and knowing care
In defiance of life's fervent call
To be at peace, one with one and All.

Rose Marie Raccioppi



In Tribute
The Battle of the Huns, symphonic poem by Franz Liszt, (1857) arr. Matthew Cameron


Hunnenschlacht, (The Battle of the Huns) Wilhelm von Kaulbach, German, 1805 – 1874.
The painting that inspired the symphonic poem of the same name by
Franz Liszt , depicts the battle of the Catalaunian Fields in 451 A.D., where the Hun armies led by Attila fought a savage battle against a Roman coalition led by Roman General Flavius Aƫtius and the Visigothic king Theodoric. According to legend, the battle was so ferocious that the souls of the dead warriors continued their fighting in the sky as they rose to Heaven.

Thursday, February 5, 2009

Nightingale de F.L. Matthew Cameron

Oh, sweet sounds thy Nightingale
Upon my soul this night I hail
And I in reverie and charm delight
Embraced by this sonorous night
Light lilting waves of love so real
All within my heart I to feel
Upon piano keys now heard
The music of the night songbird.

In Dedication to Matthew Cameron


On the ocassion of your performance
Sunday, September 21, 2008
Weill Recital Hall
Carnegie Hall, New York City

http://www.youtube.com/watch?v=ozoysappOp4


Rose Marie Raccioppi


"Rose and nightingale (gul-o-bul-bul) drawing [Iran] (1993.98)". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/ho/10/wai/ho_1993.98.htm (October 2006)"